Daniel Ridgway Knight (1839–1924)
This sentimental painting of two young French peasant girls displays Knight’s early 1860s Parisian training in depicting the human form. He came home to enlist in the Union army, and in 1871 he went back to France never to return to America. He embraced the subject of French peasants, a popular subject with both French and American painters, and won many awards abroad. His works were collected by the wealthy on both sides of the Atlantic. Premier Chagrin (First Grief) appeared at the Paris Salon of 1892.
The MOA has created suggested discussion prompts and assignments for BYU CIV faculty and students to use. Each assignment is based on themes that correspond with GE learning outcomes.
View Curricular Resources Related to This Work:
This work is currently on view at the MOA in Shaping America: Selected Works from the Permanent Collection of American Art. As part of that exhibition, various BYU faculty have provided unique commentaries about select works to give further insight.